![]() Also included is a previously unreleased Blue Coxsone single, CS 7073 - The Sound Dimension covering "Walk Don't Run" b/w Trevor Clarke's "Giving Up On Love". This limited edition box set features six rare singles all reproduced on the original Blue Coxsone label featuring essential tunes from Joe Higgs, Winston Jarrett, The Sound Dimension, The Melodians and other Studio One icons. The Soul Vendors themselves were fresh from a visit to the UK backing up a set of the label’s artists. The run of singles eventually numbered over 100 and included many of the label’s top rocksteady output from artists like Ken Boothe, The Heptones, Bob Andy, Joe Higgs, and the legendary Soul Vendors, who all extended the swinging scene in Kingston, Jamaica all the way to England. In the later part of 1967, Studio One releases on the iconic blue Coxsone label began appearing in the UK. These singles have come to be known as “Blue Coxsone” in collector’s circles and fetch tidy sums given their limited release and rarity. The label also had many iconic imprints, with one of the most sought-after being singles issued on the Coxsone imprint (named after Studio One founder and “father of reggae music” Coxsone Dodd) with instantly recognizable blue labels. For example, Morris also goes on to mention a broken ribbon mic that he patched up with silver tape from some old tape reels lying around, and that was what they often used to mic up bass and other amps in there.Studio One, the legendary Jamaican label that pioneered the reggae, ska and dancehall crazes and sparked the careers of Bob Marley, Alton Ellis, Jackie Mittoo and dozens of other reggae luminaries, have released thousands of essential reggae classics over its unrivaled six-decade long history. Basically you just used anything you could that would fit on the instrument! Jamaica back in the mid-60s didn't exactly have a lot of access to fresh music gear, so it was more about ingenious recording techniques and mic placement to help get those old sounds. Believe it or not, guys didn't really care about what strings or basses they were using back then. ![]() So, for most of those old recordings, the bass amp was recorded from behind! There's the answer to a lot of the bass sounds. ![]() Coxsone was the owner/founder, and also an engineer. It's from Sylvain Morris, who was Coxsone Dodd's main engineer at Studio One. For example, Morris also goes on to mention a broken ribbon mic that he patched up with silver tape from some old tape reels lying around, and that was what they often used to mic up bass and other amps in Here's a quote from the liner notes of a compilation album I have called Studio One Dub. Rare Reggae From The Vaults of Studio One: Collectors Edition (CD). So, for most of those old recordings, the bass amp was recorded from behind! There's the answer to a lot of the bass sounds. Label Soul Jazz Records UK/Studio One Price 2580 Genre Soulful/Funky Reggae18. I noticed the back of the speaker had a heavier sound than the front, so I created a bass box where I put an aperture at the back, and put a mic at the back, not the front." Here's a quote from the liner notes of a compilation album I have called Studio One Dub.
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